Saturday, July 5, 2008 6:46am EST
Make this your Home Page | RSS 
Exploiting black women in photography
Nicole Barden | Posted May 16, 2008 11:52 AM
I stood with my camera poised, debating whether or not to take the picture. A woman stood in front of traditional Zulu homes, which back home would simply be called huts. Take the picture? A woman stood bare-chested with nothing but a skirt and Zulu beads to adorn her half-naked Black female body. Take the picture? Yes? No? Click.
During a recent visit to a cultural village, I was surprised to see a woman walking around topless. I quickly recalled when I was told that Zulus do not consider breasts sexual in the typical manner Westerners perceive them. The tour guide then informed us that this was the way women who were "available" walked around the village during "traditional" times.
Seeing the woman topless was troubling. Being in South Africa the home of Sarah Baartman, the Khoi Khoi woman who was paraded around Europe as a one-woman freak show under the moniker Hottentot Venus, I found it impossible to divorce the woman before me from the history of dehumanizing portrayals of Black women. Instantly, pictures depicting the assault on the Black female body flew through my mind. The flurry of images ended with the work of Joseph Zealy, who is known for his photographs of enslaved Black women whose tops were lowered to substantiate claims of Black inferiority but actually revealed the racial and sexual deviance inscribed on their bodies.
The guide interrupted my trance and told me to take a picture of the woman. I hesitated. I did not want to perpetuate the hegemonic Western view, which captured the image of Black women to promote ethnographic, anthropological, and pseudo scientific theories of racial difference, with my camera lens, but she adamantly insisted.
Many photographs taken during the late 19th century portrayed Black women in frontal and side profiles with their breasts exposed. Black women were often photographed partially or completely naked. These were not the artistic nudes that deserve an eye's caress but the harsh, brutal portrayals of nakedness which would make Adam and Eve quiver. With that in my mind, I held the camera up and tried to decide if I would take the picture or not. Focusing on the woman through the camera lens I wondered whether her dignity would be restored if I took the picture from her shoulders up. After debating with myself and moving the camera around I decided to snap the picture and delete it later.
I then began to question my likeness to European travelers who came to these shores long before me. Was I wrong for wanting to cover the woman's chest? Should she cover up to appease my discomfort? Would this be another version of accommodating the outsider, a Westerner, to the detriment and destruction of culture? No. Once culture becomes a commodity it loses its authenticity and becomes a form of entertainment. At the point "culture" is mass produced for the consumption of outsiders then it is a performance. This is exactly what cultural villages are: performances. There is nothing natural or culturally authentic about them.
My critique is not against Zulu tradition or culture because I was not presented with it. My grievance lies with placing this woman in front of crowds of tourists who are primarily from the West and cultures where breasts are sexual objects because this makes her another example of an exposed and exploited Black woman. It alludes to the larger problem, which is the way images of all exploited and marginalized groups circulate around the globe and work to perpetuate and reinforce stereotypes. I was left wondering, did I take part in recreating these harmful images?
Even with all of my reservations I was persuaded to take the picture of the woman. Does deleting the picture later restore any dignity to her or was she transformed into the exotic Other straight from the pages of a colonizer's diary?
My hands are not clean. I find some solace in the fact that the picture is lost in the abyss of deleted pictures on my camera, but what about the next batch of camera-toting tourists? What about the postcards in the gift shops that show topless Black women with unnatural grins plastered on their faces? What about the countless images of Black women with limited agency who pose for pictures not because they want to but because they must? What about the deleted woman from my camera who represents an ideology of oppression I cannot delete with a button?
Nicole Barden is a junior English major and women's studies minor at Spelman College who is currently studying abroad in South Africa.
- 14-year-old prodigy turns down Harvard, Yale for HBCU (62 comments)
- Denver woman stirs controversy by singing Black national anthem at city ceremony (43 comments)
- Black Republicans launch anti-Obama campaign (24 comments)
- Barack Obama and the politics of hope (22 comments)
- Ralph Nader says Obama trying to 'talk white' (21 comments)
-
Anonymity commented on Exploiting black women in photography:
On 2nd thought Nicole. Beware where you go. It looks like South Africans especially those living in ... -
Anonymity commented on Exploiting black women in photography:
Dear Nicole, It is a question of power. The one Bessie Head in Botswana wrote about. If you have no... -
TJ Destry commented on Exploiting black women in photography:
There's another side to this. I visited the Taos Pueblo once and, as we arrived, the two young India... -
brucito commented on Exploiting black women in photography:
Kola Boof, Zolethi, and Deena I thank each of you for your comments.... -
Sanskrit Walker commented on Exploiting black women in photography:
Kola Boof I just found about you and Im STOKED! yo used to post on Keith Boykin.com years back but I...
Mark Allen
John Amaechi
Maya Angelou
Crystal McCrary Anthony
Patricia Arnold
Algernon Austin
Randall Bailey
Rick Blalock
Kola Boof
Keith Boykin
Mario Brossard
Michael Brown
Theresa Caldwell
Clay Cane
Jasmyne Cannick
Charisse Carney-Nunes
Audrey Chapman
Gordon Chambers
Staceyann Chin
Mark Corece
Gilda Daniels
Yvonne R. Davis
Terrance Dean
Marcia Dyson
Damon Evans
M. Franklin
Lenora Fulani
Ron Glover
Keli Goff
Peter Gomes
Deondray Gossett
Kia Gregory
Zulema Griffin
Malcolm Harris
Marc Lamont Hill
Alicia Hines
Dennis R. Holmes, M.D
Earl Ofari Hutchinson
Jessica Ingram-Bellamy
Jacqueline Jackson
Avis Jones-DeWeever
Quincy Lenear
Carl Lewis
Rae Lewis-Thornton
Shannon J. Love
Rod McCullom
Terry McMillan
M.W. Moore
Alphonso Morgan
Nicholas Nelson
Clarence Nero
Charles Ogletree
Spencer Overton
Shirley Parker
Deval Patrick
Charles Pugh
Anwar Robinson
Eugene S. Robinson
Rashad Robinson
Mark Sawyer
Tara Setmayer
Rev. William Sinkford
Alexander Smalls
Basil Smikle
Nadine Smith
Doug Spearman
John Stanley
Jamal Story
Ronald Sullivan
David Dante Troutt
Omar Tyree
Linda Villarosa
Dorian Warren
Isaiah Washington
Robin Washington
Diane Weathers
Reg Weaver
Marcia J. Williams
Nathan Hale Williams
Jeff Winbush
Kai Wright




MySpace
flickr
YouTube

2008-05-16 14:02:24
2008-05-16 14:53:38
2008-05-16 15:44:42
2008-05-16 15:53:41
2008-05-16 16:23:58
2008-05-16 16:40:17
2008-05-16 16:49:26
2008-05-17 16:04:25
2008-05-17 22:25:32
2008-05-18 19:11:12
2008-05-19 04:53:07
2008-05-22 02:55:29
To see your comment, wait approximately two minutes, then simply refresh the page.
Report issues/abuses to suggestions@thedailyvoice.com